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Abbey Road Music Photography Awards 2026: the winners and standout photographs

From Oasis and Glastonbury to punk and techno: the images that won this year’s music photography awards.

Οπαδός των Oasis στο κέντρο του πλήθους στο Μπουένος Άιρες, φωτογραφία του Joshua Halling
Music Moment of the Year: an Oasis fan in the crowd in Buenos Aires. © Joshua Halling / Abbey Road Music Photography Awards

Summary

  • The 2026 Abbey Road Music Photography Awards have announced their winners after receiving more than 24,500 entries from 42 countries.
  • Here are the winning photographs and special honours.
Contents
  1. The category winners
  2. Judges’ Choice and special honours
  3. What we think
  4. Frequently asked questions

Abbey Road Studios has announced the winners of the 2026 Music Photography Awards, with images ranging from the Oasis reunion and Glastonbury to punk culture and a techno rave in Ukraine.

The fifth edition attracted more than 24,500 images from 42 countries. The awards ceremony took place on 24 September in Abbey Road Studios One and Two, hosted by Lauren Laverne.

The seven open categories celebrated photographs made in 2025, while the anniversary guest category 50 Years of Punk accepted images from any year. The judging panel also selected a separate Judges’ Choice winner.

The category winners

Music Moment of the Year — Joshua Halling

The only category decided by the public went to Joshua Halling for an image from Oasis’ 2025 tour in Buenos Aires: a fan at the centre of a swirling crowd, photographed from high inside the stadium.

An Oasis fan in the crowd in Buenos Aires, photographed by Joshua Halling
Music Moment of the Year — Joshua Halling, Oasis in Buenos Aires. © Joshua Halling / Abbey Road Music Photography Awards

Behind the Scenes — Gabrielle Ravet

Gabrielle Ravet won with a photograph of My Chemical Romance fans preparing for the first show of the Long Live The Black Parade tour in Seattle.

My Chemical Romance fans getting ready before a show in Seattle
Behind the Scenes — Gabrielle Ravet, My Chemical Romance fans. © Gabrielle Ravet / Abbey Road Music Photography Awards

Live Music — Tom Pallant

Tom Pallant was recognised for his stage image of Yungblud and bassist Silke Blansjaar surrounded by dense fog during a performance in Luxembourg.

Yungblud and Silke Blansjaar performing on stage in fog
Live Music — Tom Pallant, Yungblud and Silke Blansjaar in Luxembourg. © Tom Pallant / Abbey Road Music Photography Awards

Portrait — Frances Carter

Frances Carter won the Portrait category with an image of Billie Marten on a white horse, made during the musician’s first trip to New Zealand.

Billie Marten on a white horse, portrait by Frances Carter
Portrait — Frances Carter, Billie Marten. © Frances Carter / Abbey Road Music Photography Awards

Underground Scenes — AF Cortés

AF Cortés took the prize for an audience photograph from a secret KARTEL show on abandoned railway tracks in Brooklyn.

Audience at a secret KARTEL show on abandoned railway tracks in Brooklyn
Underground Scenes — AF Cortés, Audience at KARTEL Show. © AF Cortés / Abbey Road Music Photography Awards

Emerging Photographer of the Year — Dara Petrova

Dara Petrova was named Emerging Photographer of the Year for an image from the Techno rave Laboratorium in Ukraine, a place where, according to Abbey Road, military personnel socialise and civilians seek relief from everyday pressure.

Silhouettes at a techno rave under red light in Ukraine
Emerging Photographer of the Year — Dara Petrova, Techno rave Laboratorium. © Dara Petrova / Abbey Road Music Photography Awards

Festivals — Giulia Spadafora

Giulia Spadafora won Festivals with an audience photograph made at Glastonbury’s Stone Circle opening ceremony, just as the festival was about to begin.

Crowd at Glastonbury Festival’s Stone Circle, photographed by Giulia Spadafora
Festivals — Giulia Spadafora, Glastonbury Festival. © Giulia Spadafora / Abbey Road Music Photography Awards

50 Years of Punk — Wayne Large

In the anniversary 50 Years of Punk category, Wayne Large won with a 1979 photograph of members of various punk bands in Castle Gardens Park, Leicester, a local meeting place for punks at the time.

Members of various punk bands in Leicester in 1979, photographed by Wayne Large
50 Years of Punk — Wayne Large, Leicester, 1979. © Wayne Large / Abbey Road Music Photography Awards

Judges’ Choice and special honours

The Judges’ Choice award went to Angus Jenner for a photograph of Oasis on the opening night of their reunion tour.

Two members of Oasis walking towards the stage in front of a packed stadium, photographed by Angus Jenner
Judges’ Choice — Angus Jenner, Oasis. © Angus Jenner / Abbey Road Music Photography Awards

The 2026 ICON Award went to Roberta Bayley, one of the photographers who systematically documented New York’s early punk scene and served as chief photographer for Punk magazine.

The Lifetime Achievement Award was presented to Japanese photographer Masayoshi Sukita, best known for his long 44-year collaboration with David Bowie and the shoot associated with the cover of Heroes.

What we think

This year’s selection shows how broad music photography has become: from live performance and portraiture to backstage access, fan culture and underground communities. Several of the winning images rely not simply on the fame of the artist, but on the relationship between audience, place and cultural context. For image-makers, that underlines the importance of point of view and visual storytelling beyond access to a major name.

Frequently asked questions

How many entries did the 2026 Abbey Road Music Photography Awards receive?

More than 24,500 images were submitted from 42 countries.

Which category was decided by the public?

Music Moment of the Year was the only category decided by public vote, with Joshua Halling taking the award.

Who received the ICON and Lifetime Achievement Awards?

Roberta Bayley received the ICON Award, while Masayoshi Sukita received the Lifetime Achievement Award.

Which years were eligible for the photographs?

The open categories focused on images made in 2025, while 50 Years of Punk accepted photographs from any year.

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