Sony DP7 και DP5: Νέα monitors για Cinema Line

Sony has introduced the RM-DP7 and RM-DP5, two new 7-inch and 5-inch external controllers that combine a high-brightness monitor with direct control of compatible Cinema Line cameras.

The announcement was made on September 8, 2026, with Sony scheduling both models for release in January 2027. At launch, the FX5, FX3, FX2 and FX30 will be supported, while compatibility with the FX6 and BURANO is planned through a future firmware update in the second half of 2027.

The significance of the new products is that Sony is not simply adding two more external displays to the market. The DP7 and DP5 bring key camera settings, focus, zoom and monitoring tools into a single device, creating a more unified workflow for solo operators and small crews that do not want to repeatedly return to the camera body.

They are more than external monitors

At the heart of the RM-DP7 and RM-DP5 is the BIG6 interface, which brings together six key shooting parameters: frame rate, ISO, shutter, ND or iris, Look and White Balance. The same screen can display the time counter and audio level meter, while settings can be changed through both touch operation and physical controls.

The detachable control knob allows focus operation with compatible Cinema Line cameras and lenses, with a focus indicator, focus point marking and mechanical stop settings. Touch focus and touch tracking are also supported, while compatible power zoom lenses allow zoom position and speed to be controlled from the display.

There are also ITEM keys for quickly moving between different function pages, a REC button synchronized with the camera, a multi-function dial and assignable buttons. The DP7 provides four assignable buttons, while the smaller DP5 has two.

Full HD displays up to 2,000 nits

Both models use a Full HD 1920 x 1080 touch LCD with brightness up to 2,000 cd/m², making them suitable for operation in bright outdoor environments.

Sony says each unit is individually calibrated at the factory using technology derived from its professional video monitors. The system also continuously compensates for chromaticity changes associated with colour temperature drift during operation.

There are six built-in presets and support for importing up to 16 User LUTs. CUBE files with 17- and 33-point grids are supported, which is particularly useful when shooting S-Log3 and the operator wants to preview an image closer to the intended final look without affecting the file recorded by the camera.

Waveform, vectorscope, false color and de-squeeze

The Scopes page includes a Waveform Monitor, Vector Scope, False Color and Zebra for exposure and colour evaluation on set. Aspect Marker, De-Squeeze and Peaking are also available, allowing the displays to work in more complex cinema rigs and anamorphic workflows.

For more accurate focus checking, users can double-tap to magnify the image by up to 6x around the selected point, followed by pinch-to-zoom or swipe gestures to adjust the viewed area.

The main differences between DP7 and DP5

The RM-DP7 is the larger 7-inch model and is clearly aimed at more complex professional rigs. In addition to HDMI input and output, it features 12G-SDI input/output and supports bidirectional conversion between SDI and HDMI. It also includes a locking 2-pin DC input and four assignable buttons.

The RM-DP5 reduces the display size to 5 inches and is positioned more toward compact and on-camera operation. It retains HDMI input/output, camera control functions and the main monitoring tools, but does not offer the DP7’s 12G-SDI or DC input and has two assignable buttons.

Both models feature 1000BASE-T Ethernet for wired camera control and two USB Type-C ports, with separate connections for USB 2.0 camera control and USB Power Delivery.

Wireless workflows require an external transmitter

Sony plans to support wireless operation through selected third-party transmitters. At the time of the announcement, the company specifically mentioned the Hollyland Pyro Ultra and Teradek Bolt 7, so the feature should not be confused with a wireless video system built directly into the DP7 or DP5.

Sony’s official product page says that, with an appropriate external system, video can be transmitted at up to 4K while the camera and lens can also be controlled remotely. Final compatibility will depend on the transmitter and the support available when the products ship.

Construction and power for on-set use

Both products use aluminium bodies and are designed with dust and moisture resistance in mind. Each of the four sides has a 1/4-20 UNC mounting point for accessories or transmitters, while an external grip is included for more stable handheld operation.

BP-U batteries such as the BP-U35 and BP-U70 are supported, along with USB-C Power Delivery. Sony also provides hot-swap functionality so power sources can be changed without interrupting operation, while the DP7 adds its locking DC input. An active cooling system with selectable fan modes is also built in.

Compatibility and the unusual FX5 situation

At their January 2027 launch, Sony lists compatibility with the FX5, FX3, FX2 and FX30. The FX6 and BURANO are scheduled to be added later through firmware in the second half of 2027. No equivalent support for the VENICE or VENICE 2 has been announced.

The inclusion of the FX5 is particularly interesting because the new camera also uses the CineAlta-derived BIG6 interface. PTTL has already covered the Sony FX5 with its stacked sensor, Open Gate and internal X-OCN RAW recording.

Price and availability

The Sony RM-DP7 is scheduled to launch in Europe in January 2027 for €3,300, while the RM-DP5 will arrive during the same period for €2,500. The difference between the two models is €800.

No separate official Greek price or specific Greek availability date has been published so far. More technical information is available on the official Sony RM-DP7 and RM-DP5 product page.

At these prices, the DP7 and DP5 are clearly not positioned as ordinary on-camera monitors. Their main advantage is their tight integration with compatible Cinema Line cameras, physical controls, lens operation and the ability to function as a central interface for both shooting and monitoring.

What we think

The RM-DP7 and RM-DP5 are more interesting as components of a complete Sony Cinema Line workflow than as standalone monitors. Being able to operate focus, zoom, exposure and key camera parameters from the same calibrated display can be genuinely useful for small crews, gimbal setups, camera rigs and remotely positioned cameras.

At €2,500 and €3,300, however, they are firmly aimed at professional users. The DP7 partly justifies its premium with 12G-SDI, cross-conversion and the larger screen, while the DP5 is more clearly focused on compact setups. Their practical value will ultimately depend on the depth of camera integration and on how smoothly the planned wireless workflow performs.

Frequently asked questions

Which cameras are compatible with the Sony DP7 and DP5?

At launch, they will support the Sony FX5, FX3, FX2 and FX30. Sony plans to add the FX6 and BURANO through firmware in the second half of 2027.

What is the main difference between the DP7 and DP5?

The DP7 has a 7-inch screen, 12G-SDI, SDI/HDMI conversion, DC input and more assignable buttons. The DP5 has a 5-inch display and is aimed more at compact and on-camera setups.

Can they be used simply as external monitors?

Yes. They can operate as external monitors even without camera-control functionality, through HDMI and, in the case of the DP7, SDI.

Do they support wireless operation?

Sony plans support through compatible third-party transmitters such as the Hollyland Pyro Ultra and Teradek Bolt 7. They do not contain a built-in wireless video transmitter.

When will they be available and how much will they cost?

European availability is scheduled for January 2027. The RM-DP7 is priced at €3,300 and the RM-DP5 at €2,500.